Year-long Novel Revision Mentorship. Polish Your Manuscript. Pitch an Agent.
My Novel Year: The Revision
In 12 months, you’ll overhaul your draft with professional editing and prepare it for submission — with direct access to an acquiring editor and a literary agent. Just five writers, serious about their getting published, working with someone who knows the industry.
Professional novel revision mentorship with developmental editing, literary agent access, and expert editorial guidance
You did what most writers never do: you finished a draft.
But now you’re staring at 80,000+ words that need shaping, streamlining, and sharpening.
You don’t need more dreaming — you need revision architecture, professional editorial muscle, and someone who has actually taken books all the way to acquisition.
The Revision is a 12-month mentorship designed to turn your completed first draft into a polished, commercially viable manuscript with a clear submission path.
This is where writers stop circling, second-guessing, tinkering, and finally finish the book the right way: with guidance, perspective, and the industry in the room.
In One Year, You’ll Have
-
✅
A polished, revised manuscript ready to query agents (with all major story issues resolved)
-
✅
One full developmental edit from me (10 - 12+ page letter plus margin notes on the opening pages)
-
✅
12× 2-hour group workshops + 12× 1-hour private coaching sessions, for 1:1 support
-
✅
Live pitch sessions with both a literary agent AND an acquiring editor — no slush pile, no gatekeeping
-
✅
An in-depth masterclass in building your author platform with a publishing professional
-
✅
A clear submission roadmap, including a polished query letter, and market-sensitive comp strategy
Waitlist now *
Waitlist now *
Get early access when enrollment opens
Book a free 15-min call with Georgia to ask questions and discuss your creative goals.
No payment required.
Andrew Maguire
“Georgia Clark helped me turn a vague idea into a book deal.
Her high-energy, affirming feedback gave me the confidence to seriously pursue my queer romance idea. Her programs provided accountability and valuable peer feedback. After 2 years, I felt prepared to query thanks to Georgia’s industry insights. I received eight offers and signed with a senior agent at Transatlantic Agency. My novel, GRAND SLAM, was acquired by DoubleDay Canada and will be published in 2026."
Who This Novel Revision Program Is For
-
✅
You have a completed draft of 60,000–100,000 words
-
✅
You know it needs shaping, tightening, or deeper stakes
-
✅
You want professional editorial insight, not just critique
-
✅
You can to commit to a new draft, not just tweaking a first draft
-
✅
You want direct agent feedback before you query
-
✅
You thrive with deadlines & accountability
This is NOT for you if:
❌ You don’t have a first draft (→ join The Draft)
❌ You aren’t ready to revise meaningfully over months
❌ You want line-by-line edits completed for you
❌ You don’t have time to revise a novel-length work
❌ You want pre-recorded lectures or a digital course with no human element
🎤Agent Pitch Session
with Allison Hunter
Allison Hunter is a founding partner and literary agent at Trellis Literary Management, representing commercial and literary fiction across genres including romance, women's fiction, thrillers, and book club fiction. She's sold a staggering number of books to major publishers including Penguin Random House, HarperCollins, and Simon & Schuster, and is always looking for new voices.
Allison is my agent—the person who helped me bring my novels to publishing houses and navigate the industry for over a decade. She knows what makes a manuscript sell in today’s market.
This isn't a guaranteed signing—Allison will only offer representation if your manuscript is truly ready and right for her list. But you'll learn exactly what agents look for, what's compelling about your concept, and how to query with confidence.
Most writers query blindly for months, never understanding why they're getting rejections. You'll know exactly how to position your work—and you'll have made a professional connection that could matter down the line.
Are you ready for your 1:1 with Allison?
In Month 12, you'll pitch your revised manuscript directly to Allison in a private 15-minute session. This is a real pitch—the same kind of meeting writers dream of getting at conferences or through referrals. You'll present your book, and she'll respond with honest feedback on your query approach, market positioning, and what she looks for when considering representation.
You'll gain professional insight into whether your pitch is working, specific feedback on how to position your book for the current market, and guidance on strengthening your query package. You'll make a real industry connection (Allison famously remembers every in-person pitch).
What Writers Say About Working With Georgia Clark
-
![Successful novel writing program graduate testimonials]()
"Working with Georgia was like getting an MFA in writing romance. I worked with her on two rounds of developmental edits for my book, Down to Earth. Having Georgia in my corner made revision feel not just doable, but joyful — like rewriting with a trusted collaborator. Taking her advice made me a better writer."
Julia Turshen, Down to Earth
-
![Successful novel writing program graduate testimonials]()
"Working with Georgia Clark was an absolute game-changer. Her insight was invaluable in shaping the emotional arc of my main character. Georgia has an incredible talent for crafting fully realized, relatable characters, and her notes were both thorough and inspiring."
Cat Disbato, author of Rooting Interest
-
![Successful novel writing program graduate testimonials]()
"Being part of this community has been the most impactful experience in my writing journey. I completed the first draft of my romantic comedy in five months. Georgia's guidance, mentorship, and thoughtful edits have been invaluable."
Mandi Kayne
-
![Successful novel writing program graduate testimonials]()
""Georgia created a safe space for all of us aspiring writers to explore what we could do. She guided each of us with gentle encouragement while also providing real insight into what the writing and publishing process is like."
Amanda Foor
-
![Successful novel writing program graduate testimonials]()
“I’ve been impressed and motivated by the monthly feedback. Each month we discuss what works and what doesn’t. As we get to know each other, the encouragement on our Slack and via workshop has grown. Setting monthly goals has motivated me to get more words on the page!”
Shannon Whitney
-
![Successful novel writing program graduate testimonials]()
“Exceeded my expectations—from learning, group critique sessions and feedback from Georgia—she’s created a supportive writing community and gives 1:1 attention and coaching at the same time. My writing practice has improved in quality and in speed!”
Sarah Constanza
-
![Successful novel writing program graduate testimonials]()
“Becoming part of Georgia Clark’s year-long writer’s group has changed my relationship with writing for the better. Working with her and this group of writers has allowed me fully step into myself as a writer and finally work on the book of my heart. I recommend this to anyone looking for a writing community that truly helps you flourish.”
Jessica Pascale
-
![Successful novel writing program graduate testimonials]()
"Georgia's workshop was the first writing class I ever took, and it showed me how transformative it can be to share your work with others. I met writers whom I now consider friends. Georgia's workshop gave me high-quality editorial feedback in a workshop setting, and it lit a fire in me to achieve my dreams."
Elizabeth Watson, author of The Rise of Scarlet Heroux
-
![Successful novel writing program graduate testimonials]()
"Working with Georgia was exactly what I needed to complete my first draft. The consistency of monthly meetings and community support helped cultivate the comfort of a tribe — reminding me that while this thing we're doing is hard, we're all in it together."
Michelle Hickey
How It Works
12-Month Revision Curriculum
You'll work directly with me in a cohort of just five writers, capped intentionally so everyone gets real attention.
Each month includes:
One 2-hour group workshop (accountability, craft lectures, peer support, guest Q&As)
One 1-hour private coaching session (tailored troubleshooting, no prep required)
Ongoing access via private Slack community
Your total time commitment: 3 hours/month + your writing practice
-
Q1: Foundation & Deep Craft
Month 1: Your Revision Roadmap Submit your manuscript and attend your first group workshop focusing on revision strategy and setting quarterly goals. You'll receive your comprehensive developmental edit between Months 1-2.
Month 2: Editorial Deep-Dive Receive your developmental edit (10+ pages of detailed feedback covering structure, character, pacing, voice, and marketability). We'll workshop how to approach major revisions systematically and create your personalized revision plan.
Month 3: Craft Intensive—Structure & Pacing Deep-dive workshop on story structure and pacing. Learn how to identify and fix structural issues, strengthen your narrative arc, and keep readers turning pages.
-
Month 4: Craft Intensive—Character Development Workshop focused on deepening character arcs, motivation, and emotional resonance. Bring your trickiest character challenges to the group.
Month 5: Craft Intensive—Voice & Style Explore narrative voice, prose style, and how to make every sentence sing. We'll look at what makes voice distinctive and marketable.
Month 6: Opening Pages Bootcamp Your first pages are make-or-break for agents and editors. We'll workshop opening chapters, focusing on hooks, establishing stakes, and creating an irresistible entry point to your story.
-
Q3: Market Readiness
Month 7-8: Sustained Revision Continue your revision work with ongoing workshop support and private coaching. These months are yours to execute on the feedback and polish your manuscript.
Month 9: Author Platform Masterclass Guest expert session on building your author platform. Learn what agents and editors actually look for in an author's online presence, and how to position yourself in today's market (even before you have a book deal).
-
Month 10: Query Letter Workshop Comprehensive session on crafting compelling query letters. Learn the anatomy of a successful query, workshop your pitch, and understand what makes agents request pages.
Month 11: Acquiring Editor Pitch Session Individual 15-minute pitch meeting with Emma Caruso at The Dial Press (Penguin Random House). Get editorial perspective on your manuscript's market positioning and what makes books sell to major publishers.
Month 12: Literary Agent Pitch Session Individual 15-minute pitch meeting with Allison Hunter at Trellis Literary Management. Receive professional feedback on your query strategy and what agents look for when signing new clients. Leave with a clear path forward for submission.
📚Direct Access to an Acquiring Editor at The Dial Press
Emma Caruso is an acquiring editor at The Dial Press, an imprint of Penguin Random House known for publishing #1 New York Times bestsellers and prize-winning literary fiction. She's the editor who reads manuscripts, makes offers, and decides which books land on bookstore shelves. She’s also my editor.
Emma has acquired and edited critically acclaimed novels across commercial and literary fiction. When she says yes to a manuscript, she's betting hundreds of thousands of dollars that readers will love it. She knows what works—and what doesn't.
What Most Writers Don't Understand:
By the time your agent submits your manuscript to an editor like Emma, the book is already written. If your query isn't compelling or your market positioning is off, it's too late to fix it.
Most writers never hear directly from editors—just a pass relayed through their agent, with little explanation of why.
You'll get something different: direct feedback on your pitch while you can still refine it.
In Month 11, you'll pitch your revised manuscript to Emma in a private 15-minute session. This is a real pitch—you'll present your book as if you're a debut author her agency is considering. She'll respond with honest feedback on your query positioning and market potential.
What you'll walk away with:
Editorial perspective on whether your query is compelling
Understanding of what makes editors want to request a manuscript
Specific guidance on positioning your book for the market
Knowledge of how your genre is performing in today's publishing landscape
Why This Is Rare:
Most writers only interact with editors if their agent gets them a meeting—which means you need an agent first, a polished manuscript second, and even then, you might never get direct feedback.
Attending a writing conference with editor access? That's $1,500-$3,000, and you're competing with 50+ writers for limited slots.
In My Novel Year, you get guaranteed time with Emma—no agent required, no conference badge needed, no connections necessary.
Plus: Emma has worked on books that became #1 New York Times bestsellers. This is the level of editorial expertise you're getting access to.
This isn't an acquisition meeting—Emma can only acquire books submitted by agents. But you'll understand exactly how to pitch your work when you do start querying agents.
Ready to get insider perspective from someone who actually acquires books?
Waitlist now *
Waitlist now *
Get early access when enrollment opens
Book a free 15-min call with Georgia to ask questions and discuss your creative goals.
No payment required.
Why choose My Novel Year over other writing programs?
What Makes This Different
-
You’ll meet 1:1 with Allison Hunter, Founding Partner, Trellis Literary Management
Why this matters:
You get direct reaction to your premise
You hear what lands in today’s marketplace
You understand what to strengthen before querying
No generic rejections. No form emails. No silence.
Real talk with a real gatekeeper — in real time.
Writers pay $1,500-$3,000 to attend conferences hoping for 10 minutes with an agent. You get guaranteed access.
-
Live Q&A + individual pitch time with: Emma Caruso, Editor at Dial Press (Penguin Random House)
(Value: $750–$1,000)What this provides:
Insight into what makes editors say yes
What loses an offer
What grabs a room in acquisitions
Writers seldom get this perspective before submission. You do.
-
Q1 — Full Developmental Edit
(Value: $2,500–$4,000)
A 10–12+ page editorial letter that gives you a complete map for your revision:
structural clarity (what stays, what goes, what deepens)
pacing alignment (tightening the middle, sharpening escalation)
character arc evaluation (motivation, desire vs. need, relationship stakes)
voice + POV notes (consistency, cohesion, emotional tone)
genre + market positioning (where your book fits and how it sells)
Encouraging, precise, and tailored to your voice—not a rewrite, but a detailed roadmap guiding you from “draft” to “art.”
Q2 — Mid-Year Excerpt Workshop
(Value: $500)
At the halfway mark, you’ll submit a revised excerpt (2,500–3,000 words):
supportive critique from me
perspective from your peers who know your world
micro-adjustments before you move into final shaping
This is not a line edit—it's craft-level feedback that ensures your revision is landing the way you intend, especially in pacing and emotional beat clarity.
This midpoint check gives you:
affirmation of what’s working
redirection if anything has drifted
energy to carry through the back half with confidence
Q3 — Query Package Preparation
(Value: $750–$1,200)
You’ll build the materials most writers dread, but absolutely need:
Query Letter (positioning your book confidently and commercially)
Synopsis (tight, coherent, stakes-forward)
Comp list (editorial shelving + marketplace context)
Pitch language (verbal logline + short pitch for agents/editors)
You won’t write these alone. You’ll get:
templates
live workshop feedback
example language that reflects contemporary agent expectations
This is where clarity of story meets clarity of market identity.
Combined Editorial Value
$3,750–$5,700
-
Monthly 2-hour group workshops covering story structure, character development, pacing, dialogue, overcoming blocks, and revision strategies — tailored to where you are in the process.
Monthly 1-hour private 1:1 sessions dedicated solely to you. Stuck on a plot problem? Character not working? Panicking? This is where we troubleshoot together.
Private Slack community with direct message access to me for ongoing support between sessions.
(Combined standalone value: $8,400)
-
Four intimate Q&A sessions with a top literary agent, a top editor, a published author and a marketing professional. These aren't 100-person webinars — these are small conversations where you ask your specific questions and get real answers.
Most writers never get this access. You will.
(Standalone value: $1,200)
Why a Full Year?
Because revision is not tinkering with sentences, tightening one chapter or fixing a sagging middle.
Revision is rehinking structure, realigning stakes, elevating voice, clarifying market position, sharpening narrative engines and rebuilding where needed.
That takes time — and guidance.
About Me
I'm Georgia Clark — a New York-based internationally published author of eight novels and professional book coach who helps writers finish their manuscripts and connect with literary agents. My books include Most Wonderful (a Book of the Month pick), Island Time, and It Had to Be You. My books have been published by Penguin Random House and Simon & Schuster, optioned for film and TV (where I've also produced treatments and scripts), and translated into multiple languages.
I'm a freelance editor with 831 Stories and serve as story consultant on over a dozen of their titles. I also co-host their Romance Book Club in partnership with McNally Jackson.
Beyond my own writing, I'm the founder of Generation Women, an internationally popular storytelling series. I’ve helped over 600+ women and non-binary writers shape their stories for stage. I’m also a private coach and the creator of Kindred.
My students have secured literary agents and book deals. One mentee received eight agent offers and signed with Transatlantic Agency — his debut novel is being published by Doubleday Canada in 2026.
I know what it takes to finish a novel, find an agent, and navigate publishing. I also know the exact obstacles that stop writers — and how to help you overcome them. That's what I'm here for.
Investment
Novel Writing Mentorship Pricing & Payment Options
Total Standalone Value: $16,000+
12 months | Max 5 writers | One full developmental edit | Agent & editor access
Your Investment: $10,000
Founding Member Rate
As I launch the inaugural cohorts of My Novel Year, I'm offering a special founding member rate of $10,000.
This rate recognizes the trust early participants are placing in this program — and rewards you for taking the leap with me as we begin this journey together.
This founding rate is available only for the first two cohorts (Q1 and Q2 2026) and will not be offered again. Future cohorts will be priced at $13,000+.
Payment Options
💳 Monthly Plan — $833/month for 12 months (Most Popular)
💰 Pay in Full — $9,000 (Save $1,000)
📅 Quarterly Plan — 4 payments of $2,500
Compare:
MFA programs: $30,000–$60,000 (no guaranteed agent or editor access)
Year of private book coaching: $12,000–$24,000 (no cohort, no curriculum)
Standalone developmental edit: $2,500–$5,000 (one-time feedback, no guided revision)
Writing conferences with pitch access: $1,500–$3,000 each (10 minutes with an agent if you get a slot)
You’re getting:
A full year of high-touch mentorship, developmental editing, industry access, cohort accountability, and a finished manuscript — for less than the combined cost of a single edit + two industry conferences.
The real question isn’t “Can I afford this?”
It’s “What’s the cost of another year not finishing your book — or not getting it in front of the people who can move it forward?”
✺ Frequently asked questions ✺
-
Group sessions meet once a month for two hours on Zoom.
The exact time will be set based on group availability, but sessions typically run from 6–8pm ET on a weekday (Monday–Thursday).Before the program begins, I’ll poll the cohort to find a recurring monthly slot that works for everyone, and we’ll keep that same time each month for consistency.
Recordings are provided if you need to miss a session.
-
Most writers do — but if you need more time, we'll create a completion plan in your final quarter. Slack community access continues as you finish.
-
Payment plans are non-refundable after the first 30 days. I'm committed to your success — if something isn't working, we'll troubleshoot together.
-
Unlike MFA programs that cost $30,000-$60,000 and focus primarily on literary craft, My Novel Year is a results-oriented novel writing mentorship designed to help you complete a publishable manuscript in 12 months. You'll receive personalized developmental editing, direct literary agent access, and practical publishing industry guidance—not just academic writing theory. MFA programs rarely guarantee agent meetings or provide professional manuscript editing. This program delivers both, along with small cohort accountability (just 5 writers) and monthly 1:1 coaching sessions tailored to your specific book project. You'll finish with a completed first draft, a comprehensive developmental edit, and a clear path to querying literary agents—practical outcomes that support your publishing goals.
-
Yes. I occasionally take on private clients for bespoke 1:1 novel mentorship when there's a strong fit. This is a premium offering designed for writers who need highly personalized guidance or have unique circumstances that don't align with the cohort model.
If you're interested in exploring a custom program, please contact me with details about your project and goals. Due to limited availability, I can only accommodate serious inquiries.
-
No. You don't need anything except a great manuscript. But here's what I learned: I only landed my first major book deal because I worked with a freelance editor through two rounds of revisions. Not because the editor "fixed" my book - because she taught me how to think and write like a professional novelist.
Publishing is increasingly competitive. The question isn't "Do I need this to get published?" - it's "What's the fastest way to develop the craft skills that will serve me for my entire career?"
My Novel Year isn't about outsourcing your revision - it's about learning to revise at a professional level. The developmental edits you receive aren’t a "fix" – they’re a masterclass in seeing your own work clearly. Plus: You're not just getting editorial feedback. You're getting agent and editor access, craft workshops, and a year of mentorship. This is professional development, not a shortcut.
The bottom line: Can you query without professional support? Absolutely. Will you learn faster with expert guidance? I did, and so have my students who've landed agents and book deals.
-
Yes — with clarity and confidence.
Across the 12 months, you will:
finish your full manuscript
receive a comprehensive developmental edit
learn how to strengthen premise, structure, pacing, and voice
meet directly with both an acquiring editor and literary agent
refine your pitch in real time
By the end of the program, you will know:
exactly what’s working
where your manuscript sits in the market
how to position it professionally
what agents and editors will be looking for
You’ll leave with a submission-ready manuscript, a clear query strategy, and direct industry insight — not guesswork.
If you choose, you can query immediately after the program concludes, or take a brief revision window before you submit. The structure and support you receive ensure you won’t be going in blind.
Yes, you will be ready — and ready in a way most writers never are.
-
You’ll receive three stages of professional editorial guidance — designed to move you from draft to polished revision with clarity, not overwhelm.
Q1 — Full Developmental Edit
A 10–12+ page editorial letter covering structure, pacing, character arcs, voice, and market positioning.
You’ll get a clear revision roadmap tailored to your book.Q2 — Mid-Year Excerpt Workshop
Submit 2,500–3,000 words for focused feedback from me + supportive peer insight.
A midpoint calibration to ensure your revision is landing as intended.Q3 — Query Package Prep
We’ll build and refine your query letter, synopsis, comps, and pitch language with templates and live feedback.Result:
A confident revision plan, craft-level improvement, and professional submission materials — all before you meet with an agent and acquiring editor in Q4. -
Yes. While the program is designed around revising a novel-length manuscript (60,000-100,000 words), I welcome writers working on novellas. The curriculum, feedback structure, and industry access remain the same, and the price point doesn't change.
-
Your manuscript must be under 100,000 words to receive the developmental edit.
This isn’t arbitrary — debuts over 100K are rarely competitive in the current market, and keeping the length in range allows me to give your draft a high-quality, thorough edit. -
In extenuating circumstances, group Zoom meetings may be rescheduled. Every effort will be made to to ensure all writers can join the rescheduled session. All sessions will be recorded for anyone who can’t make a rescheduled time.
Waitlist now *
Waitlist now *
Get early access when enrollment opens
Book a free 15-min call with Georgia to ask questions and discuss your creative goals.
No payment required.
