Year-long Novel Revision Mentorship. Polish Your Manuscript. Pitch an Agent.
My Novel Year: The Revision
In 12 months, you'll transform your completed draft into a polished, submission-ready manuscript—with expert editorial guidance, monthly coaching, and direct access to the publishing industry.
Apply now *
Apply now *
Applications close June 15. Cohorts start Summer 2026, based on group availability
Manuscripts due by late August — you’ve got time if you need it!
Book a free, 15-minute discovery call with Georgia Clark
Professional novel revision mentorship with developmental editing, literary agent access, and expert editorial guidance
You did what most writers never do: you finished a draft.
But now you’re staring at 80,000+ words that need shaping, streamlining, and sharpening.
You don't need another craft book, another webinar, or another six months spent endlessly tweaking Chapter One. You need an experienced editor, a clear revision roadmap, accountability, and a publishing professional who understands what it takes to move a manuscript from rough draft to submission-ready.
The Revision is a 12-month mentorship designed to help you systematically rebuild, strengthen, and polish your novel with expert guidance every step of the way.
This is where writers stop second-guessing, start making meaningful progress, and finally finish the revision their book deserves.
In One Year, You’ll Have
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A polished, submission-ready manuscript with major structural, character, pacing, and story issues resolved
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One comprehensive developmental edit from me (typically 15–20 pages of editorial feedback, plus opening-page notes)
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Twelve productive 2-hour group workshops and twelve 1-hour private coaching sessions, for year-round support
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Live pitch sessions with both a literary agent AND an acquiring editor — no slush pile
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An expert-led understanding of author platform, positioning, and publishing visibility
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A clear submission roadmap, including a polished query letter, and market-sensitive comp strategy
Andrew Maguire
“Georgia Clark helped me turn a vague idea into a complete draft that landed a top agent and a book deal.
Her high-energy, affirming feedback gave me the confidence to seriously pursue my queer romance idea. Her programs provided accountability and valuable peer feedback. After 2 years, I felt prepared to query thanks to Georgia’s industry insights. I received eight offers and signed with a senior agent at Transatlantic Agency. My novel, GRAND SLAM, is coming out Spring 2027 from Alcove Press!"
How It Works
12-Month Revision Curriculum
You'll work directly with me in a small cohort intentionally capped to ensure every writer receives meaningful attention and support.
Each month includes:
• One 2-hour live group workshop focused on craft, accountability, discussion, guest experts, and peer support
• One 1-hour private coaching session tailored to your manuscript and revision challenges
• Ongoing access to our private Slack community for encouragement, accountability, and troubleshooting between sessions
Together, these touchpoints create the structure, momentum, and editorial support needed to complete a major revision over the course of a year.
Your total live commitment is approximately three hours per month, plus your writing time.
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Q1: Foundation & Deep Craft
Month 1: Your Revision Roadmap Submit your manuscript and attend your first group workshop focusing on revision strategy and setting quarterly goals. You'll receive your comprehensive developmental edit between Months 1-2.
Month 2: Editorial Deep-Dive Unpacking developmental feedback + creating customized revision timeline. Receive your developmental edit (~15 - 20 pages of detailed feedback covering structure, character, pacing, voice, and marketability). We'll workshop how to approach major revisions systematically and create your personalized revision plan.
Month 3: Craft Masterclass #1: Story Structure & Plot Deep-dive workshop on story structure and pacing. Learn how to identify and fix structural issues, strengthen your narrative arc, and keep readers turning pages.
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Month 4: Craft Masterclass #2: Character Workshop focused on deepening character arcs, motivation, and emotional resonance. Bring your trickiest character challenges to the group.
Month 5: Special Industry Guest Q&A #1 Small group conversations where you ask your specific questions and get real answers.
Month 6: Opening Pages Bootcamp Your first pages are make-or-break for agents and editors. We'll workshop your first ten pages (2500 words) for supportive, constructive feedback from me and your cohort, focusing on hooks, establishing stakes, and creating an irresistible entry point to your story. Your pages will be due two weeks prior.
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Q3: Market Readiness
Month 7: Craft Masterclass #3: Dialogue & Scene Work Making your characters sound real and distinct and creating scenes that serve as the building blocks of your story
Month 8: Craft Masterclass #4: Line Level + Final Polish Implementing important finishing touches
Month 9: Special Industry Guest Q&A #2 Guest expert session on building your author platform. Learn what agents and editors actually look for in an author's online presence, and how to position yourself in today's market (even before you have a book deal).
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Month 10: Query Letter Masterclass Comprehensive session on crafting compelling query letters. Learn the anatomy of a successful query, workshop your pitch, and understand what makes agents request pages.
Month 11: Acquiring Editor Pitch Session Individual 15-minute pitch meeting with Emma Caruso at The Dial Press (Penguin Random House). Get editorial perspective on your manuscript's market positioning and what makes books sell to major publishers. Revisions are complete.
Month 12: Literary Agent Pitch Session Individual 15-minute pitch meeting with Allison Hunter at Trellis Literary Management. Receive professional feedback on your query strategy and what agents look for when signing new clients. Leave with a clear path forward for submission.
Want the full curriculum? Download the12-month outline PDF.
Who This Novel Revision Program Is For
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You have a completed draft of 60,000–90,000 words
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You know your ms has potential, but needs significant revision
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You want professional editorial insight, not just critique
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You can to commit to a new draft, not just tweaking a first draft
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You want direct agent feedback before you query
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You thrive with deadlines & accountability
This is NOT for you if:
❌ You don’t have a first draft (→ join The Draft)
❌ You aren’t ready to revise meaningfully over months
❌ You want line-by-line edits completed for you
❌ You don’t have time to revise a novel-length work
❌ You want pre-recorded lectures or a digital course with no human element
🎤Agent Pitch Session
with Elizabeth Pratt
Elizabeth Pratt is a literary agent at Trellis Literary Management — one of the most respected agencies in publishing — where she is actively building her list and selling books to major publishers. She came to Trellis via The Wylie Agency and Park, Fine & Brower, two of the most prestigious names in the business.
Elizabeth knows what it takes to get a manuscript in front of the right editors.
In Month 12, you'll pitch your revised manuscript directly to Elizabeth in a private 15-minute session. This is a real pitch—the same kind of meeting writers dream of getting at conferences or through referrals. You'll present your book, and she'll respond with honest feedback on your query approach, market positioning, and what she looks for when considering representation.
You'll gain professional insight into whether your pitch is working, specific feedback on how to position your book for the current market, and guidance on strengthening your query package. You'll make a real industry connection (Allison famously remembers every in-person pitch).
This isn't a guaranteed signing—Elizabeth will only offer representation if your manuscript is truly ready and right for her list. But you'll learn exactly what agents look for, what's compelling about your concept, and how to query with confidence.
Most writers query blindly for months, never understanding why they're getting rejections. You'll know exactly how to position your work—and you'll have made a professional connection that could matter down the line.
This isn't a conference-style panel or group Q&A. It's dedicated one-on-one time focused on your manuscript, query strategy, and market positioning.
What Writers Say About Working With Georgia Clark
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"Working with Georgia was like getting an MFA in writing romance. I worked with her on two rounds of developmental edits for my book, Down to Earth. Having Georgia in my corner made revision feel not just doable, but joyful — like rewriting with a trusted collaborator. Taking her advice made me a better writer."
Julia Turshen, Down to Earth
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"I'm a few months into My Novel Year and I can't emphasize enough how much this program has helped me. Whenever I have a question, Georgia is always there — providing in-depth feedback, letting me think out loud, and making the whole process feel less daunting. I leave our conversations feeling seen, motivated, and equipped to do hard things. If you're writing or revising a novel, Georgia is the perfect mentor."
Maddi Heise, The Revision
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"I am beyond grateful for Georgia's incisive and, honestly, transformative feedback. She identified many issues I sensed but couldn't fully see or articulate until she made them explicit. Georgia opened a door onto an entirely new universe hiding in my novel that I had yet to discover. Her incisive and generative support has made me a better writer and storyteller."
Kristen Sollee, Nightcats
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"Working with Georgia Clark was an absolute game-changer. Her insight was invaluable in shaping the emotional arc of my main character. Georgia has an incredible talent for crafting fully realized, relatable characters, and her notes were both thorough and inspiring."
Cat Disbato, author of Rooting Interest
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"Being part of this community has been the most impactful experience in my writing journey. I completed the first draft of my romantic comedy in five months. Georgia's guidance, mentorship, and thoughtful edits have been invaluable."
Mandi Kayne
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"Georgia created a safe space for all of us aspiring writers to explore what we could do. She guided each of us with gentle encouragement while also providing real insight into what the writing and publishing process is like."
Amanda Foor
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“I’ve been impressed and motivated by the monthly feedback. Each month we discuss what works and what doesn’t. As we get to know each other, the encouragement on our Slack and via workshop has grown. Setting monthly goals has motivated me to get more words on the page!”
Shannon Whitney
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“Exceeded my expectations—from learning, group critique sessions and feedback from Georgia—she’s created a supportive writing community and gives 1:1 attention and coaching at the same time. My writing practice has improved in quality and in speed!”
Sarah Constanza
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“Becoming part of Georgia Clark’s year-long writer’s group has changed my relationship with writing for the better. Working with her and this group of writers has allowed me fully step into myself as a writer and finally work on the book of my heart. I recommend this to anyone looking for a writing community that truly helps you flourish.”
Jessica Pascale
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"Georgia's workshop was the first writing class I ever took, and it showed me how transformative it can be to share your work with others. I met writers whom I now consider friends. Georgia's workshop gave me high-quality editorial feedback in a workshop setting, and it lit a fire in me to achieve my dreams."
Elizabeth Watson, author of The Rise of Scarlet Heroux
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"Working with Georgia was exactly what I needed to complete my first draft. The consistency of monthly meetings and community support helped cultivate the comfort of a tribe — reminding me that while this thing we're doing is hard, we're all in it together."
Michelle Hickey
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"The easy part was deciding to write a novel. The hard part was figuring out where to begin. My Novel Year gave me a clear roadmap. Georgia has equipped me with the tools to believe this goal is possible, while reminding me to give myself grace and that writing takes time and doesn't demand perfection. When I feel isolated in the process, our cohort meetups remind me I'm not alone. I'm grateful for the accountability, the support, and excited to see where this journey leads."
Ashia Aubourg, The Draft
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"Georgia's expert editorial guidance is exactly what I need to get through another draft of my manuscript. No more feeling lost. No more feeling lonely. What sets Georgia apart is her ability to see what a manuscript is trying to be, and then coach writers through the tedious process of getting to the finish line."
Hope Hopeland, The Revision student
📚Direct Access to the Editorial Director of Dial Delights (The Dial Press)
Emma Caruso is the Editorial Director of Dial Delights and acquiring editor at The Dial Press, an imprint of Penguin Random House known for publishing #1 New York Times bestsellers and prize-winning literary fiction. She's the editor who reads manuscripts, makes offers, and decides which books land on bookstore shelves. She’s also my editor.
Emma has acquired and edited critically acclaimed novels across commercial and literary fiction. When she says yes to a manuscript, she's betting hundreds of thousands of dollars that readers will love it. She knows what works—and what doesn't.
What Most Writers Don't Understand:
By the time your agent submits your manuscript to an editor like Emma, the book is already written. If your query isn't compelling or your market positioning is off, it's too late to fix it.
Most writers never hear directly from editors—just a pass relayed through their agent, with little explanation of why.
You'll get something different: direct feedback on your pitch while you can still refine it.
In Month 11, you'll pitch your revised manuscript to Emma in a private 15-minute session. This is a real pitch—you'll present your book as if you're a debut author her agency is considering. She'll respond with honest feedback on your query positioning and market potential.
What you'll walk away with:
Editorial perspective on whether your query is compelling
Understanding of what makes editors want to request a manuscript
Specific guidance on positioning your book for the market
Knowledge of how your genre is performing in today's publishing landscape
Why This Is Rare:
Most writers only interact with editors if their agent gets them a meeting—which means you need an agent first, a polished manuscript second, and even then, you might never get direct feedback.
Attending a writing conference with editor access? That's $1,500-$3,000, and you're competing with 50+ writers for limited slots.
In My Novel Year, you get guaranteed time with Emma—no agent required, no conference badge needed, no connections necessary.
Plus: Emma has worked on books that became #1 New York Times bestsellers. This is the level of editorial expertise you're getting access to.
This isn't an acquisition meeting—Emma can only acquire books submitted by agents. But you'll understand exactly how to pitch your work when you do start querying agents.
This isn't a guest lecture or webinar. It's an individual pitch session focused entirely on your manuscript. Ready to get insider perspective from someone who actually acquires books?
Apply now *
Apply now *
Applications close June 15. Cohorts start Summer 2026, based on group availability
Manuscripts due by late August — you’ve got time if you need it!
Book a free, 15-minute discovery call with Georgia Clark
Why a Full Year?
Because revision is not fixing commas.
Revision is reassessing structure. Rebuilding character arcs. Clarifying stakes. Strengthening voice. Reimagining scenes. Tightening pacing. Deepening emotional resonance. Positioning your work for today's market.
That kind of work takes time.
A year gives you space to absorb feedback, make thoughtful decisions, experiment with solutions, complete meaningful revisions, and emerge with a stronger manuscript—not just a slightly improved version of the same draft.
The goal isn't simply to revise your novel. The goal is to become the writer capable of revising future novels with confidence.
About Me
I'm Georgia Clark — a New York-based internationally published author of eight novels and developmental editor who helps writers finish their manuscripts and navigate the publishing industry.
Over the last decade, I've helped writers from all backgrounds strengthen their manuscripts, navigate revision, develop sustainable writing practices, and better understand the publishing industry. Through developmental editing, coaching, workshops, retreats, and My Novel Year, I've seen firsthand what helps writers finish books—and what keeps them stuck.
My own books include Play It Again, Most Wonderful (a Book of the Month pick), Island Time, and It Had to Be You. My books have been published by Penguin Random House and Simon & Schuster, developed for film and TV (where I've also produced treatments and scripts), and translated into multiple languages.
I'm a freelance editor with 831 Stories and serve as story consultant on over a dozen of their titles.
I’m the founder of Generation Women, an internationally popular storytelling series. I’ve helped over 600+ women and non-binary writers shape their stories for stage. I also run the Generation Women Writers’ Retreat.
I know what it takes to finish a novel, find an agent, and navigate publishing. I also know the exact obstacles that stop writers — and how to help you overcome them. That's what I'm here for.
Investment
Novel Writing Mentorship Pricing & Payment Options
What you're investing in isn't simply feedback.
You're investing in expert editorial guidance, accountability, personalized coaching, industry access, and a structured year dedicated to finishing the revision your manuscript deserves.
Total Standalone Value: $16,000+
12 months | Max 5 writers | One full developmental edit | Agent & editor access
Your Investment: $12,000
Founding Year Rate
Future cohorts will be priced at $13,000+.
Payment Options
💳 Monthly Plan — $1,000/month for 12 months (Most Popular)
💰 Pay in Full — $11,000 (Save $1,000)
📅 Quarterly Plan — 4 payments of $3,000
Compare:
MFA programs: $30,000–$60,000 (no guaranteed agent or editor access)
Year of private book coaching: $12,000–$24,000 (no cohort, no curriculum)
Standalone developmental edit: $2,500–$5,000 (one-time feedback, no guided revision)
Writing conferences with pitch access: $1,500–$3,000 each (5- 10 minutes with an agent if you get a slot)
You’re getting:
A full year of high-touch mentorship, developmental editing, industry access, cohort accountability, and a finished manuscript — for less than the combined cost of a single edit + two industry conferences.
The real question isn’t “Can I afford this?”
It’s “What’s the cost of another year not finishing your book — or not getting it in front of the people who can move it forward?”
Not quite ready yet?
Check out my free writing guides:
✺ Frequently asked questions ✺
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A novel revision mentorship focuses on transforming an existing draft into a polished, submission-ready manuscript through guided developmental revision. Unlike a traditional writing class, which often centers on exercises or peer critique, My Novel Year: The Revision provides structured editorial diagnosis, strategic revision planning, and one-on-one coaching with a published author who understands the publishing process. The emphasis is on rewriting with purpose, not just learning craft in theory.
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Yes. My Novel Year: The Revision is designed specifically for writers who have completed a full draft (typically 60,000–100,000 words) and know it needs meaningful revision. If you’re ready to restructure, deepen character arcs, sharpen stakes, and prepare your manuscript for agents or editors, this program is a strong fit. If you’re still drafting or outlining, the Draft track is a better place to start.
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Yes. The revision process is designed with agent submission in mind. By the end of the year, writers work toward a polished manuscript, a clear understanding of market positioning, and a strong query strategy. Participants also receive direct feedback from a literary agent and an acquiring editor, offering rare insight into how manuscripts are evaluated at the professional level.
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Group sessions meet once a month for two hours on Zoom.
The exact time will be set based on group availability, but sessions typically run from 6–8pm ET on a weekday (Monday–Thursday).Before the program begins, I’ll poll the cohort to find a recurring monthly slot that works for everyone, and we’ll keep that same time each month for consistency.
Recordings are provided if you need to miss a session.
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Most writers do — but if you need more time, we'll create a completion plan in your final quarter. Slack community access continues as you finish.
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Payment plans are non-refundable after the first 30 days. I'm committed to your success — if something isn't working, we'll troubleshoot together.
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Unlike MFA programs that cost $30,000-$60,000 and focus primarily on literary craft, My Novel Year is a results-oriented novel writing mentorship designed to help you complete a publishable manuscript in 12 months. You'll receive personalized developmental editing, direct literary agent access, and practical publishing industry guidance—not just academic writing theory. MFA programs rarely guarantee agent meetings or provide professional manuscript editing. This program delivers both, along with small cohort accountability (just 5 writers) and monthly 1:1 coaching sessions tailored to your specific book project. You'll finish with a completed first draft, a comprehensive developmental edit, and a clear path to querying literary agents—practical outcomes that support your publishing goals.
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Yes. I occasionally take on private clients for bespoke 1:1 novel mentorship when there's a strong fit. This is a premium offering designed for writers who need highly personalized guidance or have unique circumstances that don't align with the cohort model.
If you're interested in exploring a custom program, please contact me with details about your project and goals. Due to limited availability, I can only accommodate serious inquiries.
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No. You don't need anything except a great manuscript. But here's what I learned: I only landed my first major book deal because I worked with a freelance editor through two rounds of revisions. Not because the editor "fixed" my book - because she taught me how to think and write like a professional novelist.
Publishing is increasingly competitive. The question isn't "Do I need this to get published?" - it's "What's the fastest way to develop the craft skills that will serve me for my entire career?"
My Novel Year isn't about outsourcing your revision - it's about learning to revise at a professional level. The developmental edits you receive aren’t a "fix" – they’re a masterclass in seeing your own work clearly. Plus: You're not just getting editorial feedback. You're getting agent and editor access, craft workshops, and a year of mentorship. This is professional development, not a shortcut.
The bottom line: Can you query without professional support? Absolutely. Will you learn faster with expert guidance? I did, and so have my students who've landed agents and book deals.
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Yes — with clarity and confidence.
Across the 12 months, you will:
finish your full manuscript
receive a comprehensive developmental edit
learn how to strengthen premise, structure, pacing, and voice
meet directly with both an acquiring editor and literary agent
refine your pitch in real time
By the end of the program, you will know:
exactly what’s working
where your manuscript sits in the market
how to position it professionally
what agents and editors will be looking for
You’ll leave with a submission-ready manuscript, a clear query strategy, and direct industry insight — not guesswork.
If you choose, you can query immediately after the program concludes, or take a brief revision window before you submit. The structure and support you receive ensure you won’t be going in blind.
Yes, you will be ready — and ready in a way most writers never are.
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You’ll receive three stages of professional editorial guidance — designed to move you from draft to polished revision with clarity, not overwhelm.
Q1 — Full Developmental Edit
A 10–12+ page editorial letter covering structure, pacing, character arcs, voice, and market positioning.
You’ll get a clear revision roadmap tailored to your book.Q2 — Mid-Year Excerpt Workshop
Submit 2,500–3,000 words for focused feedback from me + supportive peer insight.
A midpoint calibration to ensure your revision is landing as intended.Q3 — Query Package Prep
We’ll build and refine your query letter, synopsis, comps, and pitch language with templates and live feedback.Result:
A confident revision plan, craft-level improvement, and professional submission materials — all before you meet with an agent and acquiring editor in Q4. -
Yes. While the program is designed around revising a novel-length manuscript (60,000-100,000 words), I welcome writers working on novellas. The curriculum, feedback structure, and industry access remain the same, and the price point doesn't change.
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Your manuscript must be under 90,000 words to receive the developmental edit.
This isn’t arbitrary — debuts over 90K may not be competitive in the current market, and keeping the length in range allows me to give your draft a high-quality, thorough edit. -
In extenuating circumstances, group Zoom meetings may be rescheduled. Every effort will be made to to ensure all writers can join the rescheduled session. All sessions will be recorded for anyone who can’t make a rescheduled time.
