Year-long Novel Writing Mentorship Program. Finish A First Draft. Pitch an Agent.
My Novel Year:
The Draft
In 12 months, you'll complete your first draft, receive a full developmental edit, and present your work directly to an agent — no slush pile, no waiting. Just five writers, serious about their craft, working with a published author who knows the industry.
Professional novel-writing mentorship with developmental editing, literary agent and acquiring editor access, and expert guidance from an 8-times published author.
You've Been Trying to Write This Book for Years
Maybe it’s a dream you can’t shake — the desire to write a novel. Maybe you even started, but then life happened. Now, the draft sits abandoned. You second-guess every sentence. You wonder if you're actually a writer or just someone who wants to be one.
Here's what you actually need: structure, expert feedback, and someone in your corner who's already published eight books.
My Novel Year: The Draft is a 12-month mentorship I've designed to take you from idea to completed manuscript — with professional guidance, industry access, and a cohort of four other writers who understand the struggle.
This isn't another online course you'll abandon in a few months. This is the year your writing life changes and you write a novel.
In One Year, You’ll Have
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Your full first draft of a brilliant novel that can sell in today’s market (70,000 - 100,000 words — done)
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A professional developmental edit from me (10+ pages of detailed feedback to guide your final draft)
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12 monthly 2-hour group workshops with your cohort + 12 1-hour private 1:1 coaching sessions
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A live pitch session with a literary agent — no slush pile, no gatekeeping
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Direct access to published authors, agents, and marketing pros
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A clear revision roadmap and next steps toward publication
Apply now *
Apply now *
Application takes 5 minutes. We'll review and email you within 3 business days with next steps. No payment required to apply.
Book a free 15-min call with Georgia to ask questions and discuss your creative goals.
No payment required.
Andrew Maguire
“Georgia Clark helped me turn a vague idea into a book deal.
Her high-energy, affirming feedback gave me the confidence to seriously pursue my queer romance idea. Her programs provided accountability and valuable peer feedback. After 2 years, I felt prepared to query thanks to Georgia’s industry insights. I received eight offers and signed with a senior agent at Transatlantic Agency. My novel, GRAND SLAM, was acquired by DoubleDay Canada and will be published in 2026."
Who This Novel-Writing Program Is For
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You have a novel idea (or a few competing ones) and you're ready to commit
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You've tried writing solo but you need structure and accountability
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You're willing to write 10,000 words/month (roughly 2,500/week) over eight months.
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You want to understand the publishing industry, not just write in a vacuum
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You’re ready to meet face-to-face with a literary agent and acquiring editor
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You're ready to invest in yourself, your creative work, and your dream of being a writer
This is NOT for you if:
❌ You're not ready to show your work or receive meaningful feedback
❌ You want a quick fix or paint-by-numbers formula
❌ You're not willing to commit to a full year
❌ You don’t have time to write a novel-length work
❌ You want pre-recorded lectures or a digital course with no human element
🎤Agent Pitch Session
with Allison Hunter
Allison Hunter is a founding partner and literary agent at Trellis Literary Management, representing commercial and literary fiction across genres including romance, women's fiction, thrillers, and book club fiction. She's sold books to major publishers including Penguin Random House, HarperCollins, and Simon & Schuster, and she’s actively looking new new voices.
Allison is my agent—the person who helped me bring my novels to publishing houses and navigate the industry. She knows what makes a manuscript sell in today’s market.
You'll gain professional insight into your story's market potential, specific feedback on premise, character, and stakes, and an understanding of what needs strengthening before you query. You’ll make a real industry connection (Allison famously remembers every in-person pitch)
This isn't a signing meeting—your first draft will need revision before it's ready for submission. But you'll learn exactly what agents look for, what's working in your concept, and what to focus on during revision.
Most writers query blindly for months, never understanding why they're getting rejections. You'll know what to strengthen before you ever hit send—and you'll have made a professional connection that could matter down the line.
Are you ready for your 1:1 with Allison?
Let's be blunt: getting feedback from a literary agent—let alone the founding partner of a literary agency—is nearly impossible.
The average agent receives 5,000-10,000 queries per year and signs 1-3 new clients. Most writers never get past a form rejection—let alone a conversation about their work.
My Novel Year gives you something extremely rare: a 15-minute one-on-one feedback session with Allison. You pitch your novel directly to her and she’ll respond with honest feedback, asks questions about your story, and share what she looks for when evaluating manuscripts.
What Writers Say About Working With Georgia Clark
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"Working with Georgia was like getting an MFA in writing romance. I worked with her on two rounds of developmental edits for my book, Down to Earth. Having Georgia in my corner made revision feel not just doable, but joyful — like rewriting with a trusted collaborator. Taking her advice made me a better writer."
Julia Turshen, Down to Earth
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"Working with Georgia Clark was an absolute game-changer. Her insight was invaluable in shaping the emotional arc of my main character. Georgia has an incredible talent for crafting fully realized, relatable characters, and her notes were both thorough and inspiring."
Cat Disbato, author of Rooting Interest
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"Being part of this community has been the most impactful experience in my writing journey. I completed the first draft of my romantic comedy in five months. Georgia's guidance, mentorship, and thoughtful edits have been invaluable."
Mandi Kayne
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""Georgia created a safe space for all of us aspiring writers to explore what we could do. She guided each of us with gentle encouragement while also providing real insight into what the writing and publishing process is like."
Amanda Foor
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“I’ve been impressed and motivated by the monthly feedback. Each month we discuss what works and what doesn’t. As we get to know each other, the encouragement on our Slack and via workshop has grown. Setting monthly goals has motivated me to get more words on the page!”
Shannon Whitney
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“Exceeded my expectations—from learning, group critique sessions and feedback from Georgia—she’s created a supportive writing community and gives 1:1 attention and coaching at the same time. My writing practice has improved in quality and in speed!”
Sarah Constanza
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“Becoming part of Georgia Clark’s year-long writer’s group has changed my relationship with writing for the better. Working with her and this group of writers has allowed me fully step into myself as a writer and finally work on the book of my heart. I recommend this to anyone looking for a writing community that truly helps you flourish.”
Jessica Pascale
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"Georgia's workshop was the first writing class I ever took, and it showed me how transformative it can be to share your work with others. I met writers whom I now consider friends. Georgia's workshop gave me high-quality editorial feedback in a workshop setting, and it lit a fire in me to achieve my dreams."
Elizabeth Watson, author of The Rise of Scarlet Heroux
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"Working with Georgia was exactly what I needed to complete my first draft. The consistency of monthly meetings and community support helped cultivate the comfort of a tribe — reminding me that while this thing we're doing is hard, we're all in it together."
Michelle Hickey
How It Works
12-Month Novel-Writing Curriculum
You'll work directly with me in a cohort of just five writers, capped intentionally so everyone gets real attention.
Each month includes:
One 2-hour group workshop (accountability, craft lectures, peer support, guest Q&As)
One 1-hour private coaching session (tailored troubleshooting, no prep required)
Ongoing access via private Slack community
Your total time commitment: 3 hours/month + your writing practice
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Goal: Build your roadmap and start drafting
Month 1:
Group Session: Set intentions, establish accountability structure, and dive into premise development — what makes a story compelling from page one
Submit your novel outline (500-2,000 words) after the first session
Receive detailed editorial feedback from me on structure, character, and story potential
Month 2:
Group Session: Story structure & plot — the architecture that holds your novel together
Begin drafting with your approved outline in hand
Private coaching: work through any obstacles as they arise
Month 3:
Group Session: Character development — creating characters readers can't forget
Continue building momentum: aim for 10,000 words this month
Private coaching: troubleshoot plot problems, talk through character decisions, stay on track
By end of Q1: You have a solid foundation and 10,000+ words on the page.
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Goal: Write 10,000 words/month and develop your craft
Month 4:
Group Session: Narrative strategy & POV — finding the right voice and perspective for your story
Hit your 10,000-word monthly target
Private coaching: personalized support for your specific challenges
Month 5:
Group Session: Dialogue — making your characters sound real and distinct
Continue your 10,000-word pace (you're at 30,000+ words now)
Private coaching: stay motivated, work through any sticking points
Month 6:
Group Session: Opening Pages Boot Camp — share your first chapter for supportive, constructive feedback from me and your cohort
Cross the halfway mark: 40,000+ words completed
Private coaching: celebrate progress, recalibrate for the second half
By end of Q2: You're 40,000-50,000 words in with stronger craft skills and peer support.
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Goal: Cross the finish line at 80,000 words
Month 7:
Group Session: Pacing & rhythm — keeping readers turning pages
The end is in sight: keep writing
Private coaching: problem-solve any plot tangles or motivation dips
Month 8:
Group Session: Scene structure — the building blocks of great storytelling
You're at 60,000+ words now
Private coaching: maintain momentum as you approach the finish line
Month 9:
Group Session: Endings — sticking the landing (because endings are hard)
Target: 80,000 words completed (flexible based on your progress)
Submit your full first draft for developmental editing
Private coaching: celebrate how far you've come and create a completion plan if you need a few more weeks
Throughout Q2-Q3: Intimate Q&A sessions with published authors and publishing professionals (agents, editors) — small group conversations where you ask your specific questions and get real answers.
By end of Q3: Most writers will have their completed 80,000-word first draft submitted. If you need more time, we'll adjust your timeline in your private sessions.
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Q4: Professional Readiness (Months 10-12)
Goal: Get professional feedback and industry access
Month 10:
Receive your full developmental edit — a 10+ page editorial letter covering structure, pacing, character development, and market readiness
Group Session: Marketing masterclass — understand the business side of publishing and how to position your work
Private coaching: digest your editorial feedback, discuss revision strategy, and ask questions
Month 11:
Group Session: Direct access to Emma Caruso, acquiring editor at The Dial Press — each writer gets 15 minutes to pitch their novel and receive editorial insight on market viability and what makes editors want to acquire a book
Create your personalized revision roadmap based on your editorial feedback
Private coaching: process your edit, start planning your revision approach, and prepare for your agent pitch
Month 12:
Group Session: Live agent pitch session with Allison Hunter — each writer presents their novel directly to a literary agent actively seeking new voices (no slush pile, no waiting)
Private coaching: final session to celebrate what you've accomplished, reflect on your journey, and set your path forward
Slack community access continues as you move into revision
By end of Q4: You have a finished first draft, professional editorial feedback, direct contact with both an acquiring editor and a literary agent, and a clear roadmap for what comes next.
📚Direct Access to an Acquiring Editor at The Dial Press
Emma Caruso is an acquiring editor at The Dial Press, an imprint of Penguin Random House known for publishing #1 New York Times bestsellers and prize-winning literary fiction. She's the editor who reads manuscripts, makes offers, and decides which books land on bookstore shelves. She’s also my editor.
Emma has acquired and edited critically acclaimed novels across commercial and literary fiction. When she says yes to a manuscript, she's betting hundreds of thousands of dollars that readers will love it. She knows what works—and what doesn't.
Why This Is Rare:
Most writers only interact with editors if their agent gets them a meeting—which means you need an agent first, a polished manuscript second, and even then, you might never get direct feedback.
Attending a writing conference with editor access? That's $1,500-$3,000, and you're competing with 50+ writers for limited slots.
In My Novel Year, you get guaranteed time with Emma—no agent required, no conference badge needed, no connections necessary.
Plus: Emma has worked on books that became #1 New York Times bestsellers. This is the level of editorial expertise you're getting access to.
This isn't about getting a book deal—your first draft isn't ready for acquisition. But after your session you'll understand how editors evaluate manuscripts, what makes them say yes, and how to position your story for success.
Ready to get insider perspective from someone who actually acquires books?
What Most Writers Don't Understand:
By the time your agent submits your manuscript to an editor like Emma, the book is already written. If your premise isn't compelling or your story has issues, it's too late to fix them.
Most writers never hear directly from editors—just a pass relayed through their agent, with little explanation of why.
You'll get something different: early insight while you can still use it.
In Month 11, you'll have a 15-minute private session with Emma to pitch your novel and get her honest editorial perspective: Is this premise compelling? Does this story have commercial potential? What would make an editor excited about this book?
What you'll walk away with:
Editorial insight into whether your concept is marketable
Understanding of what makes editors want to acquire a book
Specific guidance on strengthening your story before you even query
Knowledge of how your genre is performing in today's market
Apply now *
Apply now *
Application takes 5 minutes. We'll review and email you within 3 business days with next steps. No payment required to apply.
Book a free 15-min call with Georgia to ask questions and discuss your creative goals.
No payment required.
Why choose My Novel Year over other writing programs?
What Makes This Different
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Most writers spend months sending queries into the void, collecting form rejections, never understanding what's actually wrong with their pitch or premise.
You'll skip that entirely.
In Month 12, you get a private 15-minute session with Allison Hunter, founding partner of Trellis Literary Management and my literary agent. She'll hear your pitch, ask questions about your story, and tell you exactly what would make it stronger before you start querying.
This isn't a signing opportunity—your manuscript will still need revision. But you'll walk away with professional guidance on market positioning, premise clarity, and what agents actually want to see. Plus, you've made a connection with someone who could remember you when your polished manuscript lands in her inbox months later.
Writers pay $1,500-$3,000 to attend conferences hoping for 10 minutes with an agent. You get guaranteed access.
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In Month 11, you'll meet with Emma Caruso, an acquiring editor at The Dial Press (Penguin Random House) who has worked on #1 New York Times bestsellers.
Each writer gets 15 minutes to pitch their novel and receive editorial perspective on commercial viability, market positioning, and what makes editors excited about a manuscript.
Most writers never speak to an acquiring editor until their agent submits—by then, it's too late to course-correct. You'll get this insight while you're still drafting, so you can strengthen your story before you ever query.
Getting time with an editor at this level typically requires an agent, expensive conferences, or personal connections. Here, it's built in.
(Standalone value: $500-1,000)
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Q1 — Outline Critique: Detailed feedback on your 2,000-word outline to ensure you're building something strong.
Q2 — Mid-Year Excerpt: Supportive feedback from me and your peers on a short excerpt.
Q4 — Full Developmental Edit: An 8-10 page editorial letter covering structure, pacing, character development, and market readiness. Actionable, encouraging, tailored to your voice.
(Combined standalone value: $5,000)
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Monthly 2-hour group workshops covering story structure, character development, pacing, dialogue, overcoming blocks, and revision strategies — tailored to where you are in the process.
Monthly 1-hour private 1:1 sessions dedicated solely to you. Stuck on a plot problem? Character not working? Panicking? This is where we troubleshoot together.
Private Slack community with direct message access to me for ongoing support between sessions.
(Combined standalone value: $8,400)
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Four intimate Q&A sessions with a top literary agent, a top editor, a published author and a marketing professional. These aren't 100-person webinars — these are small conversations where you ask your specific questions and get real answers.
Most writers never get this access. You will.
(Standalone value: $1,200)
Why a Full Year?
Because writing a novel isn't a sprint. It's a sustained creative practice that requires time, consistency, and support.
A year gives you:
Time to actually write (not just plan or start)
Space to develop craft (you'll be a different writer by year’s end)
Sustainable momentum (not crash-and-burn intensity)
Professional readiness (not just a draft, but a path forward)
About Me
I'm Georgia Clark — a New York-based internationally published author of eight novels and professional book coach who helps writers finish their manuscripts and connect with literary agents. My books include Most Wonderful (a Book of the Month pick), Island Time, and It Had to Be You. My books have been published by Penguin Random House and Simon & Schuster, optioned for film and TV (where I've also produced treatments and scripts), and translated into multiple languages.
I'm a freelance editor with 831 Stories and serve as story consultant on over a dozen of their titles. I also co-host their romance book club in partnership with McNally Jackson.
Beyond my own writing, I'm the founder of Generation Women, an internationally popular storytelling series. I’ve helped over 600+ women and non-binary writers shape their stories for stage. I’m also a private coach and the creator of Kindred.
My students have secured literary agents and book deals. One mentee received eight agent offers and signed with Transatlantic Agency — his debut novel is being published by Doubleday Canada in 2026.
I know what it takes to finish a novel, find an agent, and navigate publishing. I also know the exact obstacles that stop writers — and how to help you overcome them. That's what I'm here for.
Investment
Novel Writing Mentorship Pricing & Payment Options
Total Standalone Value: $16,000+
Three rounds of editorial feedback + 12 months mentorship + agent and editor pitch session + industry access
Your Investment: $10,000
Founding Member Rate
As I launch the inaugural cohorts of My Novel Year, I'm offering a special founding member rate of $10,000.
This rate recognizes the trust early participants are placing in this program — and rewards you for taking the leap with me as we begin this journey together.
This founding rate is available only for the first two cohorts (Q1 and Q2 2026) and will not be offered again. Future cohorts will be priced at $13,000+.
Payment Options
💳 Monthly Plan — $833/month for 12 months (Most Popular)
💰 Pay in Full — $9,000 (Save $1000)
📅 Quarterly Plan — 4 payments of $2,500
Compare:
MFA programs: $30,000-$60,000 (no guaranteed agent access)
Year of private book coaching: $12,000-$24,000 (no community)
Developmental edit alone: $2,500-$5,000 (one-time feedback only)
Writing conferences with agent and editor pitch: $1,500-$3,000 each (for a 3-day weekend)
You're getting: A full year of high-touch mentorship, community, professional edits, industry access, and a finished manuscript — for less than the cost of a single edit + conference.
The real question isn't "Can I afford this?"
It's "What's it worth to finally finish my draft then get it in front of an agent and editor?”
✺ Frequently asked questions ✺
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Novel writing isn't always linear, and life happens. The monthly 1:1 coaching sessions help you adjust your manuscript timeline, troubleshoot writer's block, and create realistic writing goals based on your schedule. The 10,000 words/month target (about 2,500 words/week) is achievable for most committed writers, but some months you may write more, others less. The goal is completing your 70,000-100,000 word first draft by the end of the year—whether that happens in Month 9 or Month 11. Your private coaching ensures you stay accountable while maintaining flexibility. The Slack community also provides ongoing support and encouragement between our monthly novel writing workshops.
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Most writers do — but if you need more time, we'll create a completion plan in your final quarter. Slack community access continues as you finish.
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Payment plans are non-refundable after the first 30 days. I'm committed to your success — if something isn't working, we'll troubleshoot together.
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Unlike MFA programs that cost $30,000-$60,000 and focus primarily on literary craft, My Novel Year is a results-oriented novel writing mentorship designed to help you complete a publishable manuscript in 12 months. You'll receive personalized developmental editing, direct literary agent access, and practical publishing industry guidance—not just academic writing theory. MFA programs rarely guarantee agent meetings or provide professional manuscript editing. This program delivers both, along with small cohort accountability (just 5 writers) and monthly 1:1 coaching sessions tailored to your specific book project. You'll finish with a completed first draft, a comprehensive developmental edit, and a clear path to querying literary agents—practical outcomes that support your publishing goals.
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Yes. I occasionally take on private clients for bespoke 1:1 novel mentorship when there's a strong fit. This is a premium offering designed for writers who need highly personalized guidance or have unique circumstances that don't align with the cohort model.
If you're interested in exploring a custom program, please contact me with details about your project and goals. Due to limited availability, I can only accommodate serious inquiries.
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Probably not — and that's by design. First drafts are rarely submission-ready, no matter how strong the writer. The publishing market is competitive, and agents expect polished, revised manuscripts that have been through beta readers and multiple drafts.
Year One gets you to a completed first draft with professional editorial feedback. Most writers will need 6-12 months of revision before they're ready to query. (That's what Year Two: The Revision is designed for.)
The agent consultation in Month 12 gives you a roadmap for that revision — so when you do query, you're pitching with clarity and confidence.
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You'll receive three rounds of professional editorial feedback throughout the year:
Round 1 (Month 1): Detailed feedback on your 500-2,000 word novel outline covering story structure, premise strength, and character development foundations
Round 2 (Month 6): Supportive workshop feedback on your opening pages/first chapter from both me and your writing cohort during our Opening Pages Boot Camp
Round 3 (Month 10): A comprehensive 10+ page developmental edit of your complete first draft addressing plot structure, character arcs, pacing, narrative cohesion, point of view, dialogue, and market readiness—similar to what you'd receive from a professional book editor at a publishing house
All feedback is constructive, actionable, and designed to strengthen your manuscript for the revision process and eventual literary agent queries. This is the same level of developmental editing I provide to authors at 831 Stories.
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Yes. While the program is designed around completing a novel-length manuscript (70,000-100,000 words), I welcome writers working on novellas. The curriculum, feedback structure, and industry access remain the same, and the price point doesn't change—you're paying for the mentorship, editorial guidance, and agent/editor access, not just word count.
If you're writing a novella, we'll adjust your monthly word count goals in your 1:1 sessions to reflect your project's scope.
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Writers of all genres participate, most commonly those working on their first or second full-length manuscript.
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In extenuating circumstances, group Zoom meetings may be rescheduled. Every effort will be made to to ensure all writers can join the rescheduled session. All sessions will be recorded for anyone who can’t make a rescheduled time.
Apply now *
Apply now *
Application takes 5 minutes. We'll review and email you within 3 business days with next steps. No payment required to apply.
Book a free 15-min call with Georgia to ask questions and discuss My Novel Year.
No payment required.
